Snappy Performance
WITH WILL ROBSON
WHAT'S IT ABOUT?
In this 6-week course, we'll delve into the workflow of creating feature-level shots in a snappy and energetic style. From planning to execution, we'll explore the dos and don'ts while emphasizing the importance of storytelling in animation.
DATES & DURATION
Running May 23rd to July 4th, 2024, every Thursday.
6 Live sessions in total.
From 4:00pm - 6:00pm (PST) GMT-8.
TUITION
One Single payment : $385
Benefits of this course:
Learn from an expert
Ask your questions and learn directly from a recognized artist
Open feedback
Twice a week. First come, first served feedback a la carte!
Flexible
Learn at your own pace and from anywhere in the world
Animbot coupon
Get 10$ discount in all licenses
In this six-week course, we delve into the intricacies of creating snappy, feature-level animation with a strong emphasis on storytelling and deliberate acting choices. We'll explore the nuances of planning and executing shots, dissecting examples from the industry while crafting our own dynamic scenes. Through a combination of theory, practical exercises, and personalized feedback, students will refine their skills in full-body and facial performance, mastering the art of captivating animation.
Course Breakdown
Session 1 : What is Snappy Acting?
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Explore examples from various films (such as Hotel T, Mitchells, Cloudy) to understand the different intensities of snappy acting.
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Discuss when to amplify energy and when to dial it down for effective storytelling.
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Assignment: Students select or create a scene with an A and B shot, applying the principles discussed.
Session 2 : Prep and Planning for feature level
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Learn the basics of scene study and script analysis to inform acting decisions.
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Examine a character bible (e.g., Hotel T 4 Character bible) for insight into character development.
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Develop a story idea and thumbnail poses to plan the shot effectively.
Session 3 : Blocking
Session 4 : Spline
Session 5 : Polish
Session 6 : Student Feedback
OVERVIEW
Will Robson
ABOUT THE INSTRUCTOR
After starting off my career back home in Australia at Liquid Animation (Polly Pocket), I made the move to the great white north at the end of 2018. Since then, I’ve worked at ICON Creative Studios (The Rocketeer, Supermonsters) and Mainframe Studios (Madagascar: A little Wild). In 2021 I joined Sony Pictures Imageworks, having since animated on Hotel Transylvania 4, Spider-Man: No Way Home and Spider-Man: Across the Spiderverse.
Throughout my 7+ years in the industry, I have had the pleasure of learning from so many passionate and talented artists, leaders and mentors, and I hope to pass on some of that knowledge and experience on to you!
See you out there!