Conquering the Tower of Polish
WITH JORDAN BARG
WHAT'S IT ABOUT?
This course is all about polish: what it is, and what it isn’t. It’s not about saving your shot, but elevating it and getting the most out of your ideas. A very interactive and hands on class to make sure your creative choices are shining in the best light possible.
DATES & DURATION
Running May 4th to June 8th 2022 , every Wednesday.
6 Live sessions in total
From 6:30pm - 8:30pm
(Pacific Daylight Time, GMT -7).
One Single payment : $269
Benefits of this course:
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Ask your questions and learn directly from a recognized artist
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This course is all about polish: what it is, and what it isn’t. It’s not about saving your shot, but elevating it and getting the most out of your ideas. Getting the most clarity, and getting more believability in your character. The trick to climbing the tower is taking it one step at a time, and build upon each step. If you skip any steps, the tower will collapse, so it’s important to have a strong base. It’s a daunting task, but we will be conquering it together. This will be a very interactive and hands-on class since you cannot learn polish by watching someone tweak curves for hours on end . We will all be starting from the same roughly splined animation file, and working together to finish it - this way we will make sure you learn how to make sure your creative choices are shining in the best light possible.
Class #1. Introduction - What is Polish, and What Isn’t It? + Planning.
Class #2. Clarity.
Class #3. Texture.
Class #4. Connectivity.
Class #6. Presentation and Finishing up.
ABOUT THE INSTRUCTOR
Jordan Barg is an animator from Montreal currently working at Sony Pictures Imageworks in Vancouver.
His career began with internships at two of the top feature film studios in the world: Sony Pictures Imageworks and Blue Sky Studios, where he learned the ins and outs of working in an animation studio while being mentored by the incredible artists who worked there.
After graduating from Seneca College in Toronto in 2019, Jordan started work on his first feature film, 2020's SCOOB! at ReelFX back in his hometown of Montreal. Following that he went to Tangent Animation to work on Netflix's Maya and the Three, and continued working with Netflix when he moved to Sony Pictures Imageworks on an unannounced feature film.
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